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Storytelling Tips for
the Classroom |
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STORIES
AS A TEACHING TOOL WHY?
(as in Why Bother?) 1. Cost effective -
often free, no investment in education - gizmos not necessary. 2. Accessible,
inexhaustible resource. 3. Flexible teaching
tool. Stories can be used for the obvious subjects (English, History) and the
not-so-obvious ( Social Studies, use of a library, and yes, even Math and
Science.) 4. Imagination
building. Develops this often-neglected mental muscle. 5. Natural, age-old
medium for communication of feelings and ideas.--Stories in the form of
religious writings, myths, and legends have long been a vehicle for the
passing along of tradition, customs, family and popular lore, and even
ethics.
HOW?
-The following
activities are arranged on a somewhat logical, sequential spectrum which
begins with those that are "teacher-centered" and building toward
activities which are "student-centered".-
TEACHER-CENTERED
ACTIVITIES
1. Teacher READS STORY
to students. *Teacher reads story and adds
CHARACTERIZATION (voices) *Teacher
reads story and adds DRAMATIZATION (intonation, movements, facial
expressions.) 2. Teacher TELLS STORY
to students. (Characterization and dramatization are even more easily
integrated here.)
TEACHER AND STUDENT CENTERED ACTIVITIES 1. Teacher READS
story, students REFRAIN (chorus) 2. Teacher and
students SHARE READING. e.g. Students take characters' dialogue in story. 3. Teacher READS,
students DRAMATIZE: without dialogue or with dialogue (lip-mime) - (WARMUPS
are useful here.)
STUDENT-CENTERED ACTIVITIES 1. STUDENT READS STORY
to class or small group of students. 2. STUDENTS READ to
class or groups, adding Characterization, Dramatization. 3. Student READS,
other students DRAMATIZE. 4. STUDENTS TELL STORY
to class or groups. 5. Students TELL,
others DRAMATIZE. TECHNIQUES OF LEARNING STORIES 1. Find a story that
you enjoy. - You will probably be telling it a dozen or more times and if you
are indifferent about the story, it won't come out well. 2. Read it to yourself
silently and aloud 2 or 3 times. 3. Start to learn it
in parts, practicing aloud as you learn. As each part is learned go back to
the text to see what you have missed or need work on. 4. Tell what your story
is about, all the way through, without using any prompts as fast as you can.
If you are stuck, remember the general outline of what your story is about
and just tell what you know until you remember where you are. (This is your
back up plan. When you forget during a performance an exact line, you should
be able to work through it the same way as this). 5. When you know the
whole story, practice it aloud using different voices, pitches and dynamics
until you find ones that fit the story. (It helps to have different voices
for different characters.) 6. Find an audience to
practice on, e.g. your family, friends, relatives, other classes, etc. (You
can try different ways of telling on different audiences.) 7. If you feel
comfortable, ask for suggestions on how to improve your telling. 8. Tell your story. ** Remember - each time
you tell your story, it helps to go back to the text to review things
you missed and need to work on.** ** A STORY ISN'T REALLY YOURS
UNTIL YOU'VE TOLD IT AT LEAST 4 TIMES IN FRONT OF AUDIENCES.* * |
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